Rainer Maria Rilke (1875-1926)
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Rainer Maria Rilke (1875-1926) was a person.
- See: Poet, Letters to a Young Poet.
References
2014
- (Wikipedia, 2014) ⇒ http://en.wikipedia.org/wiki/Rainer_Maria_Rilke Retrieved:2014-9-10.
- René Karl Wilhelm Johann Josef Maria Rilke (4 December 1875 – 29 December 1926) — better known as Rainer Maria Rilke () — was a Bohemian-Austrian poet and novelist, "widely recognized as one of the most lyrically intense German-language poets",[1] writing in both verse and highly lyrical prose. Several critics have described Rilke's work as inherently "mystical". [2] [3] His writings include one novel, several collections of poetry, and several volumes of correspondence in which he invokes haunting images that focus on the difficulty of communion with the ineffable in an age of disbelief, solitude, and profound anxiety. These deeply existential themes tend to position him as a transitional figure between the traditional and the modernist writers. Rilke was born in the Austro-Hungarian Empire, travelled extensively throughout Europe and North Africa, including Russia, Spain, Germany, France, Italy, and in his later years settled in Switzerland — settings that were key to the genesis and inspiration for many of his poems. While Rilke is most known for his contributions to German literature, over 400 poems were originally written in French and dedicated to the canton of Valais in Switzerland. Among English-language readers, his best-known works include the poetry collections Duino Elegies (') and Sonnets to Orpheus ('), the semi-autobiographical novel The Notebooks of Malte Laurids Brigge ('), and a collection of ten letters that was published after his death under the title Letters to a Young Poet ('). In the later 20th century, his work has found new audiences through its use by New Age theologians and self-help authors,[4] [5] [6] and through frequent quoting in television programs, books and motion pictures. [7] In the United States, Rilke is one of the more popular, best-selling poets — along with 13th-century Sufi mystic Rumi and 20th-century Lebanese-American poet Khalil Gibran.[8]
- ↑ Biography: Rainer Maria Rilke 1875–1926 on the Poetry Foundation website. Retrieved 2 February 2013.
- ↑ See Müller, Hans Rudolf. Rainer Maria Rilke als Mystiker: Bekenntnis und Lebensdeutung in Rilkes Dichtungen (Berlin: Furche 1935). See also Stanley, Patricia H. "Rilke's Duino Elegies: An Alternative Approach to the Study of Mysticism" in Heep, Hartmut (editor). Unreading Rilke: Unorthodox Approaches to a Cultural Myth (New York: Peter Lang 2000).
- ↑ Freedman, Ralph. Life of a Poet: Rainer Maria Rilke (Chicago: Northwestern University Press, 1998), p. 515.
- ↑ Komar, Kathleen L. "Rilke: Metaphysics in a New Age" in Bauschinger, Sigrid and Cocalis, Susan. Rilke-Rezeptionen: Rilke Reconsidered (Tübingen/Basel: Franke, 1995), p. 155-69. Rilke reinterpreted "as a master who can lead us to a more fulfilled and less anxious life."
- ↑ Komar, Kathleen L. "Rethinking Rilke's Duisiner Elegien at the End of the Millennium" in Metzger, Erika A. A Companion to the Works of Rainer Maria Rilke (Rochester, New York: Camden House, 2004), pp. 188–89.
- ↑ See also: Mood, John. ‘'Rilke on Love and Other Difficulties (New York: W. W. Norton & Company, 1975); and a book released by Rilke’s own publisher Insel Verlag, Hauschild, Vera (ed.), Rilke für Gestreßte (Frankfurt am Main: Insel-Verlag, 1998).
- ↑ Komar, Kathleen L. "Rethinking Rilke's Duisiner Elegien at the End of the Millennium" in Metzger, Erika A., A Companion to the Works of Rainer Maria Rilke (Rochester, New York: Camden House, 2004), 189.
- ↑ Komar, Kathleen L. "Rilke in America: A Poet Re-Created" in Heep, Hartmut (editor). Unreading Rilke: Unorthodox Approaches to a Cultural Myth (New York: Peter Lang, 2000), pp. 155–78.
1902
- (Rielke, 1902) ⇒ Rainer Maria Rilke. (1902). “Abend (Evening)"
Slowly the evening changes its garments held for it by a rim of ancient trees; you gaze: and the landscape divides and leaves you, one sinking and one rising toward the sky.
And you are left, to neither quite belonging, not quite so dark as the house sunk in silence, nor quite so surely pledged unto eternity as that which grows to star and climbs the night.
To you is left (unspeakably confused) your life, gigantic, ripening, full of fears, so that it, now hemmed in, now grasping all, is changed in you by turns to stone and stars.