Meaningless Universe Theory

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A Meaningless Universe Theory is a theory that our universe is a meaningless universe.



References

2014

  • (Allen, 2014) ⇒ Woody Allen. (2014).
    • QUOTE: I firmly believe, and I don’t say this as a criticism, that life is meaningless. I’m not alone in thinking this — there have been many great minds far, far superior to mine, that have come to that conclusion. And unless somebody can come up with some proof or some example where it’s not, I think it is. I think it’s a lot of sound and fury signifying nothing, and that’s just the way I feel about it.

      I’m not saying that one should opt to kill oneself, but the truth of the matter is, when you think of it, every 100 years, there’s a big flush, and everybody in the world is gone. And there’s a new group of people. And that gets flushed, and there’s a new group of people. And this goes on and on interminably — and I don’t want to upset you — toward no particular end, no rhyme or reason.

      And the universe, as you know from the best of physicists, is coming apart, and eventually there will be nothing, absolutely nothing. All the great works of Shakespeare, and Beethoven, and Da Vinci, all that will be gone. Now, not for a long time, but shorter than you think, really, because the sun is going to burn out much earlier than the universe vanishes, so you don’t have to wait for the universe to vanish. It’ll happen earlier than that. So all these plays and these symphonies, the height of human achievement, will be gone completely. There’ll be no time, no space, nothing at all. Just zero. ...


  • (Wikipedia, 2014) ⇒ http://en.wikipedia.org/wiki/Absurdism Retrieved:2014-9-24.
    • In philosophy, "the Absurd" refers to the conflict between (1) the human tendency to seek inherent value and meaning in life and (2) the human inability to find any. In this context absurd does not mean "logically impossible", but rather "humanly impossible". [1] The universe and the human mind do not each separately cause the Absurd, but rather, the Absurd arises by the contradictory nature of the two existing simultaneously. Absurdism, therefore, is a philosophical school of thought stating that the efforts of humanity to find inherent meaning will ultimately fail (and hence are absurd) because the sheer amount of information as well as the vast realm of the unknown make certainty impossible. And yet, some absurdists state that one should embrace the absurd condition of humankind while conversely continuing to explore and search for meaning.[2] As a philosophy, absurdism thus also explores the fundamental nature of the Absurd and how individuals, once becoming conscious of the Absurd, should respond to it. Absurdism is very closely related to existentialism and nihilism and has its origins in the 19th century Danish philosopher Søren Kierkegaard, who chose to confront the crisis humans faced with the Absurd by developing existentialist philosophy.[3] Absurdism as a belief system was born of the European existentialist movement that ensued, specifically when the French Algerian philosopher and writer Albert Camus rejected certain aspects from that philosophical line of thought and published his essay The Myth of Sisyphus. The aftermath of World War II provided the social environment that stimulated absurdist views and allowed for their popular development, especially in the devastated country of France.
  1. Silentio, Johannes de, Fear and Trembling, Penguin Classics, p. 17
  2. Cite error: Invalid <ref> tag; no text was provided for refs named CamusMyth
  3. Stewart, Jon (2011). Kierkegaard and Existentialism. Farnham, England: Ashgate. ISBN 978-1-4094-2641-7. pp. 76–78.

1606

  • (Shakespeare, 1606) ⇒ William Shakespeare. (1606). “The Tragedy of Macbeth."
    • To-morrow, and to-morrow, and to-morrow,
      Creeps in this petty pace from day to day,
      To the last syllable of recorded time;
      And all our yesterdays have lighted fools
      The way to dusty death. Out, out, brief candle!
      Life's but a walking shadow, a poor player
      That struts and frets his hour upon the stage
      And then is heard no more. It is a tale
      Told by an idiot, full of sound and fury
      Signifying nothing.

      (Act 5, Scene 5, lines 19-28)